Azketem – Azketem Review

Released on: 6th June 2024

The eponymous second album from Azketem can best be described as sober. An ode to dry tedium that at best is fine; it is fine; a musical trip without any adrenaline. It is not a completely lackluster experience but without the oomph it is more like double time doom metal. When compared to the cathartic energy burst of black metal that the genre entered the atmosphere with.

As mentioned previously, the compositions are fine. Yet with the degree of melancholy that they represent without any kind of build up there is no snap. No, range. Even if it does have its moments. The emotional flatness present throughout creates a very simple toned release. The most exciting parts are the ambiance that can be occasionally heard in the foreground.

Tellingly a solo project, Azken is undoubtedly a good composer. And, while these recordings are pitch perfect they are too polished, and too similar in tone. There is just not enough play. Structurally speaking. To give nuance to any of the songs here. As an album it blends in to one very hyper focused journey of strife. When really, these slower tracks should offer reprieve from the a deluge of white noise.

Azketem is a melodically accomplished product. But, without any real purpose. It sounds like the sonic equivalent of loitering with the intent to grow out your eyebrows. There is a world of horror to be realised but digging down the black metal mines singing the black metal blues is never going to be a fun experience.

7/10

About David Oberlin 524 Articles
David Oberlin is a composer and visual artist who loves noise more than a tidy writing space. You can often find him in your dankest nightmares or on twitter @DieSkaarj while slugging the largest and blackest coffee his [REDACTED] loyalty card can provide.