Metalite – Expedition One Review

Metalite have continuously impressed with their bouncy power metal. Even more so on Expedition One. The fourth album from the Swedes. Who have such a knack for creating sharp hooks and decorating them with lyrical earworms; fishes beware these folks have brains.

There are rhythms and counter melodies carried on guitar that create a wonderfully dynamic space littered throughout Expedition One. Really good ones too and ones that will give your traps a seeing to, if you nod your head. Set amidst the confident vocals of one woman chorus, singer Erica Ohlsson. Erica has carried the main melodies since the sophomore album and to be honest has fit the sound wonderfully since establishing herself on Biomechanicals.

Expedition One has the energy of happy hardcore with the harmonies of power metal– a brilliant juxtaposition of acoustics. It gives dancier sounds a solid foundation in metal. And, while it has been done before. The inclusion of digital sounds. It has never been quite so formant as this.

By far Metalites’ greatest strength is in how well the group dynamics work. It is something that is prevalent throughout the bands’ discography. From solos that will sweep you off into another world to drum beats that go hard and will give you flashbacks. However, the most unique feature is the bravery to stick some new synth leads and utilise their textures. Always to great effect. Metalite are adventurous and that is epic, truly grand.

As an album Expedition One has its highs and lows, mostly highs. It is a vigorous trip impassioned with a good attitude. What is not to love about music?

About David Oberlin 525 Articles
David Oberlin is a composer and visual artist who loves noise more than a tidy writing space. You can often find him in your dankest nightmares or on twitter @DieSkaarj while slugging the largest and blackest coffee his [REDACTED] loyalty card can provide.